Carly: Not a lot happens in this episode. Rhea: Yeah, they had to really bring the title home. Many people have talked about this and there’s been a lot of attention paid, especially recently, with shows that are doing things well and finding much better ways to light people with darker skin. A lot more laughing happening. Carly: You have a podcast about baseball. Rhea: Over the hood, in there working on it. Riese: Jodi refuses to resign, but threatens to fire her if she won’t resign. Rhea: OurChart. Rhea: It’s abrupt. There’s these little tidbits of great jokes. The Hit Club loves a theme. Because I definitely had a profile on OurChart. Carly: She doesn’t care. The property announced over the summer it would not reopen, and now Reinsdorf has put it on the market. And my favorite part is when Tina says, “Jenny, if we don’t find it, no one’s going to see the movie.” And then she goesâ. So that’s my L Word origin story. And I’m just glad that’s not a thing, because it doesn’t end well for anybody. This is ridiculous. Come on.”, Carly: I was like, “Oh, we get it. Yeah, this was an okay episode. They do not seem like a group of friends at all. It gets very difficult near the end of the show. Riese: The hot dogs at the hot dog store. This is so absurd that it can only be explained by some sort of…, Carly: Like some kind of like, extraordinary phenomenon, perhaps. Riese: And her face, backing away from Phyllis, when Phyllis tries to… But also, I mean, come on, Phyllis immediately undermined herself. Who worked at the body shop? You can also buy it on iTunes. And, there’s a video and it was great. Rhea: And it’s a matter of a week or two. It’s very Warner Brothers, Looney Tunes. But yeah, that’s me. Who doesn’t remember that? Rhea: Shout out. Carly: Slash teen crisis hotline for teens who are on the roof of the LGBT Center. She’s banging on the door. Carly: So he is like screaming at Tina and she has no idea why, which is not that weird because he’s always screaming at her about something. Also you had to have copies to edit. Rhea: Also, Tasha â her wardrobe is the same colors as the background of the room that she’s in, by the way. Carly: She’s had a day, you know? Riese: Phyllis says she’ll always be grateful to Bette’s leadership, and then she starts talking about how she actually has had a crush herself. This is not an actual drag queen, this is just an actor. On today's episode, you'll hear everything Caleb learned during his training sessions with his world renowned swing coach. Carly: I agree, but in the grand tradition of season six where the cold open features one of our series regulars vowing to murder Jenny, she then basically looks into the camera and says, âI’m going to kill Jenny,â and winks. If we were somebody who’s going to drink a beer in a bar, we had to get that one. Riese: Can you tell me what that, like, I don’t understand. She was like dyke drama, right? It was, just, especially bad. The Girls 2? A bit of a gender cowboy, whatever. You are disappearing this person. Riese: She didn’t. Carly: Yeah. And then eventually you want to take that final edit and go back to your original film and create the final reel. In this episode, they’re perfectly fine. Holy goodness. Rhea: Yeah. Carly: Sure. Rhea: Oh yeah. She was like, “I read your letter on air.” And then I was like, “Wait, what?” Totally didn’t understand what was going on. Rhea: It’s a lot of cooks in the kitchen. Really Cybling everywhere. And then Jenny suggests that Alice do cartoon voice overs, which was lovely. Rhea: Buy some tie-dye. Carly: All right so⦠Alice and Shane are at The Planet and they’re talking about Jenny. Riese: Yeah, that was what Perez Hilton was doing, I guess, at the time. Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry …